Question

Description acceptable. Henri Lefebvre’s The Missing Pieces notes how this artwork’s success caused a crisis for its artist, who made kitschy “souvenir” versions of it in the 1970s. Whitney Chadwick says this piece embodies a movement’s “oblique eroticism” and “alchemical transformation.” A 1937 MoMA exhibit by Alfred Barr featuring this piece brought crippling fame to its artist, who had shown it at Charles Ratton’s gallery. This piece was inspired by a collaboration on a partly brass bracelet with Elsa (10[1])Schiaparelli and followed by trussed shoes titled My Nurse. (10[3])This piece, which André Breton (10[1])titled for Luncheon on the Grass and a Leopold von Sacher-Masoch (10[1]-5[1])(“ZAH-kur MAH-zock”) novella, grew out of its artist’s meeting (-5[1])with Pablo Picasso and Dora (-5[1])Maar at a café. (-5[1])For 10 (10[1])points, (10[1])material from a Chinese gazelle covers a saucer, (-5[1])spoon, and another item (10[1])in what (10[1])piece (10[2])by Meret Oppenheim? (10[2])■END■ (10[5]0[7])

ANSWER: Object [or Meret Oppenheim’s fur teacup; or Meret Oppenheim’s saucer, teacup, and spoon covered in fur; or Le Déjeuner en fourrure; or Luncheon in Fur; or Breakfast in Fur; prompt on teacup; prompt on fur; prompt on descriptions of artworks by Meret Oppenheim until “Oppenheim” is read]
<Painting & Sculpture>
= Average correct buzz position